Here are my brief thoughts on a few award-contending films that I’m probably not going to write a full review of, either because of time constraints or in some cases because my thoughts on them need a more recent repeat viewing, or in some cases there’s not much I have to say. I’ve also given my thoughts on their chances of winning their respective Oscars.
The Lion King (2019) – Visually, it’s a really impressive film, yet somehow it’s staggeringly unimpressive in almost every other way. I don’t have a long-held love of the original from my childhood, I only saw it for the first (and second) time a couple of years ago, but I felt like this added almost nothing to the story and in some ways detracted from it. The photorealistic characters look amazing, they’re of the highest visual artistry but crucially they lack the personality afforded by the more anthropomorphised hand-drawn versions. The voice casting was generally excellent, but no amount of vocal charisma is enough to make this anywhere near as special as it needed to be a worthwhile reimagining of Disney’s most acclaimed animated classic. $1.6bn however means that Disney will continue making these, I just hope they work harder on adapting their classics in a way that actually adds something to each, not like this almost shot-for-shot remake.
Nominated for: Visual Effects. Chances of winning: Oddly low despite being completely made by VFX artists. It should be in the Animated category and people know it, though Disney are determined to package it as ‘Live-Action’.
Avengers: Endgame – I’ve been invested in the franchise from the start, so I was primed to love this and I certainly did. I saw it twice in the cinema, the first viewing being the midnight premiere screening as I couldn’t possibly wait or risk the chances of spoilers. The atmosphere was superb, the film clearly lived up to expectations. Much was said about the long runtime but it really doesn’t drag, there’s so much going on and every opportunity is taken to have fun with the characters, retroactively add extra layers of story development and nicely incorporate some fan service when possible. It holds up on repeat viewing very well and though there are bits that aren’t perfect, it does tie together the strands of the ‘Infinity Saga’ in a way that feels satisfying and complete.
Nominated for: Visual Effects. Chances of winning: Not too bad, it might happen as a way of giving recognition to the accomplishments of the whole franchise and the effects are extensive and varied so showcase many skills.
Star Wars: Rise of Skywalker – I have really enjoyed going to see the Disney-era films at the cinema but this was a messy beast of a film. It felt overstuffed, muddled, and like it pushed aside all recent development and much logic in a thankless attempt to tick certain boxes. A minor let down for me, but I’m not a huge fan of the franchise with high levels of investment and expectations. I think it may even get worse on repeat viewing, especially if seen straight after episodes 7 & 8 as part of a marathon. The characters developed in this phase of the franchise are badly let down and it’s a waste of potential that was abundantly clear when I saw ‘The Force Awakens’. Hopefully, now they’ll leave the Skywalker saga completely alone and ensure that any future films or series don’t try to ‘fix’ the problems as it’ll just make things worse.
Nominated for: Visual Effects, Score, Sound Editing. Chances of winning: Low, they release a Star Wars film each year with similar effects, score, and sound, yet this being one of the weakest instalments there’s no impetus to award it.
Missing Link – Another example of beautiful filmmaking as is always the case from Laika, their animation always looks incredible, though I didn’t feel like the story or characters did very much to keep me completely interested. I liked the character of Susan and Zack Galifinakis voiced him brilliantly, especially as the film is more comedic than some of their others, though, beyond that, it’s not a tale that’s going to stick with me for very long. I have seen it twice on Netflix while very tired and kept dozing off, missing different bits both times, so I have seen it through but not in one perfect sitting, which may be more my fault than the film’s but still I feel like the adventurous aspects could be heightened a little more so it’s the exciting adventure it promises to be in the marketing.
Nominated for: Animated Feature. Chances of winning: Very low, while it won the Golden Globe it isn’t going to get the Oscar.
I Lost My Body / J’ai perdu mon corps – This French animation is possibly the lowest-profile of this year’s Academy Award nominees available to stream on Netflix. A severed hand makes its way across the city to get back to its owner while recounting key events in his life from his youth and recent past. This premise sounds somewhat macabre but in practice the film makes great efforts to be heartfelt and charming, effectively counteracting the weirdness of the unusual first-hand perspective. Hand in hand with that is the visual style, really beautiful hand-drawn animation that I found particularly expressive and endearing. No explanation is given for the hand’s agency. It’s not enchanted or extra-terrestrial, not superhuman nor supernatural, it’s just happening and facilitating the beautiful storytelling. I watched it in the English dubbed version for ease, which featured such voices as Dev Patel and Alia Shawkat and it kept me completely invested and entertained throughout.
Nominated for: Animated Feature. Chances of winning: None, there are much more beloved films in this race.
Pingback: Academy Award Nominations List 2019/2020 & Printable Oscar Ballot Sheet PDF | NeverKissedAGirl.com